Reviews & Interviews


 

Haley Jane Forsyth and her fiancé Ryder Kole Emerson were recently featured in Ashland Living Magazine’s February 2024 issue, including a full interview with Kristin Clark about their love of theatre and each other, and photoshoot with Anita Bicskei.

“It was theatre, of course, that brought Haley and Ryder together. They met during Camelot Theatre’s production of The Hunchback of Notre Dame. Haley was choreographer and Ryder was *performing in the cast. They gradually got to know one another as friends. ‘And through that, it was like I truly saw her,’ Ryder says. ‘Then I got to see her perform and it was amazing. Not only is she a great choreographer and she’s going to be my director for Peter Pan, she’s a phenomenal actress and performer. And I wanted to get to know her better.’

Haley says she fell for Ryder over time as they became good friends. ‘We got to hang out more, and I couldn’t help but be captivated by Ryder’s kindness, his sense of humor, and his unique way of looking at the world. It also didn’t hurt that I got to watch him flex his performing skills as the title character in Peter Pan. I know I was in a bit of trouble because I wanted to be professional as his director, while also not ignoring the obvious affection that was growing. I think we made it work in the end!

‘I don’t know how it could not have happened,’ Ryder says. ‘It felt like an unstoppable force.’"


“As a queer couple, the two are especially sensitive to the theatre’s need for diversity of all kinds. ‘We have a lot of talented people who would be amazing performers in roles that they may not be a conventional fit for,’ Haley says. ‘I see progress but there’s still a lot of traditional casting. A lot of male-female couples and not a lot of same-sex couples (in writing). Or if there are same-sex couples, them being a couple is really downplayed…

It’s important to have a lot more people of color in roles that have been traditionally played by white actors, especially in more classical pieces… (and) it’s something we can do without sacrificing the integrity of the art.’”

-Haley Jane Forsyth and Ryder Kole Emerson, Interview with Kristin Clark
Ashland Living Magazine, February 2024

 

“Forsyth says she is passionate about sharing work that explores human behavior and psychology, ‘like a good mystery’, as well as pieces that celebrate humanity, ‘like queer stories’.

“But, of course there’s also space for laughter and frivolity,” she acknowledged. “There are not many things better than getting to spread joy through theater — which we can all use nowadays.

…You don’t have to live in a big city anymore to have opportunities for great theater,” she said. “Living in Ashland allows me to enjoy the beauties of the forest and mountains and make professional theater. It’s honestly a dream.”

-Haley Jane Forsyth, Interview with Jim Flint
The Rogue Valley Times

https://www.rv-times.com/go_rogue/haley-jane-forsyth-lives-her-dream-life-making-great-theater-in-the-mountains/article_2d8c1426-a5bc-11ee-a5c0-6b23475a8110.html

 

Trailer for Poirot: Murder on the Links; Featuring Louis Lotorto as Hercule Poirot, Galloway Stevens as Arthur Hastings, Katie Beck as Cinderella, Tim Fullerton as Detective Giraud, and Haley Jane Forsyth as Marthe Daubriel; Oregon Cabaret Theatre, 2021

 

“Haley Forsyth is the lovely Marian and is no maid, rather a strong woman and skilled archer who speaks her mind and makes her own choices. Forsyth plays this role with grace and intelligence and as Marian is not afraid to enter conflict and contests, beating even the best the realm has to offer. Forsyth’s command of the role is personal and superb.”

-Maureen Flanagan Battistella for “Sherwood: The Adventures of Robin Hood”
Medford Mail Tribune

https://mailtribune.com/news/top-stories/ctps-sherwood-is-wacky-and-wonderful

 

Erik Grubbs as Lord Evelyn Oakleigh (Left) and Haley Jane Forsyth as Reno Sweeney (Right) in Anything Goes; Nevada Repertory, 2012

 

 

"The cast was a well-blended mix of actors who doubled for various parts but were flawless in their execution of the different roles. Throughout the show, there were a few musically sung scenes that allowed for a smooth set transition to occur. There was even a little romance that left the audience in laughter and surprise, since it is a murder mystery. In the end, after following loophole after loophole, like falling down the rabbit hole and getting turned around a few times too many, you’re left with the murderer of the night… but, since I don’t want to give too much away, you’d have to decide for yourself if they truly catch the “right” murderer!"

-Meckenzie Brock for “Poirot: Murder on the Links”
The Siskiyou

https://siskiyou.sou.edu/2021/10/13/oregon-cabarets-poirot-murder-on-the-links-theatre-review/

 

Haley Jane Forsyth as Maid Marian (Left), Melanie Marie as Doerwynn (Middle Left), Tyler Lemons as Little John (Middle Right), Alex Boyles as The Sheriff of Nottingham (Right) in Sherwood: The Adventures of Robin Hood; Collaborative Theatre Project, 2020

 

"Having worked on the Broadway revival of Anything Goes the year prior, I was asked to direct and choreograph a production of that show for their in-house company, Nevada Repertory Company, as a part of my residency. Through the structured audition process, Haley rose to the top and was cast as Reno Sweeney. I hoped the actress cast would be able to sing and dance extensively as well as have the ability to explore a somewhat complex character. Haley dove in. She came into rehearsal memorized and prepared to work. She reviewed her material and returned the next day having taken the character further. Her performances were consistent and enjoyable. She certainly met, if not exceeded, my expectations. This speaks a lot to the work ethic Haley exhibits as well as attention to detail and a willingness to bite off a large responsibility. Haley is trustworthy, kind, and someone I would consider hiring for professional work. I hope you will find her spark and talent through your audition process the way I did. She is worth the investment."                

- Adam Cates: Director/Choreographer in Interview for "Anything Goes"
www.adamcates.com

 

 

“As Christina, Michael’s unmarried mother, Haley Forsyth’s emotional fragility is convincing, as is her portrayal of the grace and beauty with which the playwright has imbued the memories of his mother.”

-Stephanie Bartlett for “Dancing at Lughnasa”
Theater Review for the Sneak Preview
https://sneakpre.com/Archives/Medford/August2019/index.html#p=8

 

Alex Boyles as Anatoly the Russian (Left), Rebecca Campbell as Svetlana (Top Left), Haley Jane Forsyth as Florence (Top Right), and David King-Gabriel ad Freddie the American in Chess the Musical; Livia Genise Productions, 2016

 

"One of the most satisfying aspects of “She Loves Me” is the ensemble. Leah Kolb, Kristen Calvin and Haley Forsyth play wealthy, bedecked and bejeweled socialites who shop for lotion, perfume and notions... The ensemble performs a stylized, stylish ballet of gloved cosmetic beauty. That ballet is excellently executed, especially against the elaborate greetings and goodbyes of “Thank you, Madam” performed in unison by the shop clerks."

Maureen Flanagan Battistella for "She Loves Me"
Mail Tribune

http://www.mailtribune.com/news/20171125/she-loves-me-is-heartwarming-holiday-romance 

 
 

Paul Cosca as Gerry (Left) and Haley Jane Forsyth as Chris Mundy in Dancing at Lughnasa; Collaborative Theatre Project, 2019

 

"The biggest and most wonderful surprise in this cast was Haley Forsyth in the role of Florence. Ms. Forsyth has been in a number of Camelot and Oregon Cabaret Theatre shows in the several years since she arrived on the Southern Oregon scene, but always in supporting roles, never a major, leading part (including Helene in Sweet Charity and Angelique in La Cage.) She has been good in all of those smaller roles, attracting kudos from several reviewers, including myself...

I am thrilled to say that Ms. Genise has done precisely THAT, placing Ms. Forsyth in the Florence role in Chess, and Ms. Forsyth does not disappoint. My copious notes scribbled during the show declare: “Haley has elevated her game!” Her singing was a triumph – she more than held her own in duets with Mr. Boyles and Mr. King Gabriel, and when turned loose with a solo (Heaven Help My Heart), knocked it over the fences (my notes: “Such a pleasure! Sung with conviction and passion, complete with spot on gestures and facial expressions”). Her acting also rose to the challenge – her scenes with Mr. Boyles were particularly noteworthy. The lasting image I took from this show was Ms. Forsyth and Mr. Boyles emotionally clasping hands during the well sung duet, You and I. Again, singing a duet with the man introduced as her father (actor Buzz London), my notes attest “Ms. Forsyth very effectively pulls off this heavily emotionally laden scene”. From the moment she entered the stage in a very attractive black formal gown, to the Finale number, a Florence solo (my note: “Haley just kills it!”), Ms. Forsyth is a revelation – a performance NOT to be missed."

- Lee Greene for "Chess: The Musical"
Local Ashland Critic

http://performingarts.reviews/2016/09/23/livia-genise-acts-chess/ 

 

Peter Wickliffe (Left), Haley Jane Forsyth (Middle Left), Kristen Calvin (Bottom Middle Right), and Leah Kolb (Bottom Right) as Ensemble, Mimi Klipstine (Top) as Ilona Ritter, Patrick Massey (Middle) as Georg Nowack, and Erin Monks (Middle Right) as Ladislav Sipos in She Loves Me; Oregon Cabaret Theatre, 2017

 

 

"There are several supporting actresses that turned in terrific, unforgettable performances. The aforementioned Haley Forsyth (Helene) and Rebecca Campbell (Nickie) play Charity’s dance hall pals, who do a superlative job of singing, dancing, and acting their way through this entire show. A reviewer for another publication approached me to ask, gushingly, “Who was that in the gold sequined dress? She was fantastic!” (Haley Forsyth) And so she was. A newcomer to the Camelot stage, Ms. Forsyth has previously appeared on stage at Oregon Cabaret Theatre, but I am quite confident that her days of anonymity, not being recognized by reviewers are over. Her singing was quite lovely, her dancing was deft, but her acting was best of all. Somebody hurry up and cast that gal in a beefier role, so that talent doesn’t just languish on the sidelines."
-Lee Greene for "Sweet Charity"
Local Ashland Critic
performingarts.reviews

 

 "Marry Me A Little is a stunning musical production… The Man, Benjamin Linder, brings to the stage a strong masculine presence contrasting Haley Forsyth’s supple vulnerability as the Woman. Both are strong performers, and have surprising chemistry. Their movements are seamless, as they move in and out of each other’s imaginary lives. They play to each other’s strengths and really hit-it-off in the dance sequence, 'Can That Boy Fox Trot'... Direction by Haley Forsyth is superb. Scenes flow cinematically into each other; the pacing is perfect, and the characters are lovable and believable."

- Evalyn Hansen for "Marry Me a Little"
The Mail Tribune

ashlandtheater.wordpress.com

 

From Left to Right: Grace Peets, Alexa Nienhaus, Shannon Carter, Kristen Calvin, Holly Nienhaus, and Olivia Carbone as the Dance Hostess girls; Haley Jane Forsyth (Middle Left) as Helene and Rebecca Campbell (Middle Right) as Nickie in Sweet Charity, 2016